photographer: Andras Ridovics
styling: Emily Eisen
asgerjuellarsen.blogspot.com
more coming very soon :)
Showing posts with label PREVIEW. Show all posts
Showing posts with label PREVIEW. Show all posts
8/10/2010
ASGER JUEL LARSEN - SS11 PREVIEW
A little preview from Asger Juel Larsen SS11 collection
photographer: Andras Ridovics
styling: Emily Eisen
asgerjuellarsen.blogspot.com
more coming very soon :)
photographer: Andras Ridovics
styling: Emily Eisen
asgerjuellarsen.blogspot.com
more coming very soon :)
6/17/2010
4/02/2010
3/10/2010
ROMINA KARAMANEA A/W 10-11 COLLECTION PREVIEW BY ANDREAS STAVRINIDES
photography by Andreas Stavrinides @ Larapixie assisted by Mariandre
Styling by Kate Lassen assisted by Mariana Fragoyianni and Stefanie Wong
Hair by Keiichiro Hirano assisted by Kiki
Make up by Marco Antonio
Styling by Kate Lassen assisted by Mariana Fragoyianni and Stefanie Wong
Hair by Keiichiro Hirano assisted by Kiki
Make up by Marco Antonio
3/09/2010
MICHAEL TINTIUC EDITORIAL PREVIEW
Jaco van den Hoven / Mathilde Frachon / Michael Tintiuc
more coming up very, very soon!
more coming up very, very soon!
2/22/2010
LONDON FASHION WEEK : BASSO&BROOKE A/W 10/11 PREVIEW
A/W 10/11 collection coming very, very soon!
see it LIVE on 23rd of February, 11.30 GMT at
http://www.londonfashionweeklive.co.uk/
we can`t wait!
see it LIVE on 23rd of February, 11.30 GMT at
http://www.londonfashionweeklive.co.uk/
we can`t wait!
1/13/2010
PETAR PETROV FALL/WINTER 2010/2011 PREVIEW
the 1st image from the new PETAR PETROV collection
photography : christoph pirnbacher
model : nils swennen @ tempo models
pr agency: systeme_D
photography : christoph pirnbacher
model : nils swennen @ tempo models
pr agency: systeme_D
12/24/2009
bARBARA Í gONGINI S/S 10 PREVIEW
bARBARA Í gONGINI s/s preview
Collection SS10 is a correlation between functional clothing and shape-experiments. The composition of this collection, as the previous, is dual, and apart from the functional basic wear, the fundamental idea in this concept is A): to create clothes with multiple applications and B): to recycle existing designs in new interpretations. Catchwords; Raw, edgy, unisex, basic, and extreme.
bARBARA Í gONGINI is a Nordic brand based in Denmark.
The aim of the company is to create Nordic clothing based on a conceptual approach to the process, where experiments with forms provide the setting for the visual motive in the design. bARBARA Í gONGINI creates clothing, which is at the leading edge of the trade. bARBARA Í gONGINI furthermore participates very actively in the artistic debate in the Nordic countries. During the work, interdisciplinary co-operation with other artists within music, photography, film, etc, is emphasized and this co-operation nourishes inspiration during the design process itself. bARBARA Í gONGINI comprises two lines of womenswear: I-rEguLar and rEguLar. The collection represents these two extreme points, but must be seen as a coherent whole.
I-rEguLar is the creative part of the two lines where play and experiments are tested based on varying themes and it is here that art and design meet. The results of the above process form the basic elements in the other part of the collection and present the subtle profile of the brand. rEguLar is a simplification of the above and is the more commercial line of the collection and the purpose is to create a more basic line of womenswear with a very personal and original expression of form. The collections are released twice a year.
High quality and artistic responsibility comprises all parts of the processes. This contributes to local and global responsibility towards our customers for our products. It is not the aim of bARBARA Í gONGINI to market its products through many sales channels, but the company would rather like to be represented in the most exclusive concept-boutiques all over the world.
sources: bARBARA Í gONGINI and Notjustalabel
Collection SS10 is a correlation between functional clothing and shape-experiments. The composition of this collection, as the previous, is dual, and apart from the functional basic wear, the fundamental idea in this concept is A): to create clothes with multiple applications and B): to recycle existing designs in new interpretations. Catchwords; Raw, edgy, unisex, basic, and extreme.
bARBARA Í gONGINI is a Nordic brand based in Denmark.
The aim of the company is to create Nordic clothing based on a conceptual approach to the process, where experiments with forms provide the setting for the visual motive in the design. bARBARA Í gONGINI creates clothing, which is at the leading edge of the trade. bARBARA Í gONGINI furthermore participates very actively in the artistic debate in the Nordic countries. During the work, interdisciplinary co-operation with other artists within music, photography, film, etc, is emphasized and this co-operation nourishes inspiration during the design process itself. bARBARA Í gONGINI comprises two lines of womenswear: I-rEguLar and rEguLar. The collection represents these two extreme points, but must be seen as a coherent whole.
I-rEguLar is the creative part of the two lines where play and experiments are tested based on varying themes and it is here that art and design meet. The results of the above process form the basic elements in the other part of the collection and present the subtle profile of the brand. rEguLar is a simplification of the above and is the more commercial line of the collection and the purpose is to create a more basic line of womenswear with a very personal and original expression of form. The collections are released twice a year.
High quality and artistic responsibility comprises all parts of the processes. This contributes to local and global responsibility towards our customers for our products. It is not the aim of bARBARA Í gONGINI to market its products through many sales channels, but the company would rather like to be represented in the most exclusive concept-boutiques all over the world.
sources: bARBARA Í gONGINI and Notjustalabel
12/17/2009
ROZALB DE MURA S/S 2010 PREVIEW
Rozalb de Mura, spring summer 2010 collection - Véráztatta maradványok - Solyomkő (The Remains)
story
The woods grew dark and deep. Grey is the light and down it creeps, through thousand needle leaves. A bitter wind, the fir trees stand tall and stately. In splendid indifference you’re all alone. An owl cries, it’s only a bird – wise, they say. Or is it a laugh? You shudder in the unknown.
Beware. Go round the mountains of the moon, get down the valleys of sorrow, do look away from dancing shadows. Cover your ears, the voices you hear are oh, too temptingly, cruelly sweet.
The mighty woods are all behind. You went to rest under the great Hawk’s Rock. And there it was. A nest of earth and bones that threw alluring shimmers, of gold and light, of blues and greens, the dream of dreamers. Remains of bloody unseen worlds, or ancient shrine to power? You’ll never know. Raise and take away your gaze, do not upset the silence. Times are not ripe yet, traveler.
about the collection
In its concentrated form, Rozalb de Mura Spring Summer 2010 collection oozes theatrical extravagance: two full costumes, masculine and feminine, that look like warrior armors completely hiding the identity of the wearer. The two outfits can be composed, deconstructed and built again – like some disintegrable antique robots – in tens of perfectly wearable components.
Chameleonic and flexible, the collection varies depending on its assembling from a primitive, tribal air to complicatedly royal volumes. Nevertheless, the warrior aura can be easily soothed down in unexpectedly contemporary combinations, with single pieces that can be worn in a relaxed, urban way over a white T-shirt and a pair of jeans.
The scrupulousness of the craft and attention to technical details are obsessive. With no zippers nor buttons, the pieces are held together through hundreds of strings, in an assembling process that looks like a ritual. Hundreds of cords sculpt the clothes from beneath, alluding to aboriginals’ under-the-skin tattoos. The play on volumes and functionality is infinite, depending on how the pieces are knotted together: the skirt can be worn as a cape or a jacket, the sleeves metamorphose into a corset. The whole collection is drowned in faded red. The overall sensation is visceral, a glimpse at a flayed body in an old anatomy book, in perfect harmony with the Hungarian title – bloody remains.
Rozalb de Mura graciously thanks the preview & set, Ratiu Family Foundation, Romanian Cultural Institute London, Institut Culturel Romain Paris, Migdale Amare and add –business chance on art for their kind support.
photography www.tibiclenci.com
models: Raluca Negrea @ Allure Models / Silviu Tolu @ Allure Models
www.rozalbdemura.ro
Rozalb de Mura facebook
press contact: Quartier General
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more about this amazing collection very soon!
story
The woods grew dark and deep. Grey is the light and down it creeps, through thousand needle leaves. A bitter wind, the fir trees stand tall and stately. In splendid indifference you’re all alone. An owl cries, it’s only a bird – wise, they say. Or is it a laugh? You shudder in the unknown.
Beware. Go round the mountains of the moon, get down the valleys of sorrow, do look away from dancing shadows. Cover your ears, the voices you hear are oh, too temptingly, cruelly sweet.
The mighty woods are all behind. You went to rest under the great Hawk’s Rock. And there it was. A nest of earth and bones that threw alluring shimmers, of gold and light, of blues and greens, the dream of dreamers. Remains of bloody unseen worlds, or ancient shrine to power? You’ll never know. Raise and take away your gaze, do not upset the silence. Times are not ripe yet, traveler.
about the collection
In its concentrated form, Rozalb de Mura Spring Summer 2010 collection oozes theatrical extravagance: two full costumes, masculine and feminine, that look like warrior armors completely hiding the identity of the wearer. The two outfits can be composed, deconstructed and built again – like some disintegrable antique robots – in tens of perfectly wearable components.
Chameleonic and flexible, the collection varies depending on its assembling from a primitive, tribal air to complicatedly royal volumes. Nevertheless, the warrior aura can be easily soothed down in unexpectedly contemporary combinations, with single pieces that can be worn in a relaxed, urban way over a white T-shirt and a pair of jeans.
The scrupulousness of the craft and attention to technical details are obsessive. With no zippers nor buttons, the pieces are held together through hundreds of strings, in an assembling process that looks like a ritual. Hundreds of cords sculpt the clothes from beneath, alluding to aboriginals’ under-the-skin tattoos. The play on volumes and functionality is infinite, depending on how the pieces are knotted together: the skirt can be worn as a cape or a jacket, the sleeves metamorphose into a corset. The whole collection is drowned in faded red. The overall sensation is visceral, a glimpse at a flayed body in an old anatomy book, in perfect harmony with the Hungarian title – bloody remains.
Rozalb de Mura graciously thanks the preview & set, Ratiu Family Foundation, Romanian Cultural Institute London, Institut Culturel Romain Paris, Migdale Amare and add –business chance on art for their kind support.
photography www.tibiclenci.com
models: Raluca Negrea @ Allure Models / Silviu Tolu @ Allure Models
www.rozalbdemura.ro
Rozalb de Mura facebook
press contact: Quartier General
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more about this amazing collection very soon!
11/30/2009
11/28/2009
PREVIEW FUXYZ MAGAZINE DEC/JAN ISSUE
PREVIEW FUXYZ MAGAZINE
DECEMBER-JANUARY
SPECIAL DOUBLE ISSUE
CARLOS DIEZ DIEZ
ALBERTO SINPATRON
SERGUEI POVAGUIN
KATA SZEGEDI
PLUS LOTS OF EDITORIALS, FEATURES, AND MORE..
OUT ON 1ST OF DEC
DECEMBER-JANUARY
SPECIAL DOUBLE ISSUE
CARLOS DIEZ DIEZ
ALBERTO SINPATRON
SERGUEI POVAGUIN
KATA SZEGEDI
PLUS LOTS OF EDITORIALS, FEATURES, AND MORE..
OUT ON 1ST OF DEC
11/27/2009
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